This book is a collection of his background art pieces from some of these films. Ono Hiroshi is a veteran background artist and art director who has worked on films like Kiki’s Delivery Service, Akira, Jinroh, A Letter To Momo, Wolf Children and a lot more. 20 below or go here to read the full review. ![]() UPDATE AUG 2021 – A proper background art book for this film is now published see entry no. This is not actually a proper “art of” book in that it showcases no concept art nor raw background plates, but the images still allow us to appreciate the lovely art that the filmmakers painted. Makoto Shinkai’s animated short film Garden Of Words (言の葉の庭) is my favorite of all his works, in part because the story is set around the area of Shinjuku in Tokyo, an area where I used to hang out alot as a film student. While many of the background plates are still painted in traditional (2D) style, CG now plays a bigger and bigger role in anime films and the book elaborates on this as well.ĩ) Garden Of Words – Makoto Shinkai Art Book I really enjoyed Mamoru Hosoda’s Wolf Children, and this whopper of an art book is one of the best I’ve seen this year. Personally the film wasn’t to my liking, but the quality of the background art in this one is truly exceptional. While the film was not quite what we had hoped it’ll be, the staggering amount of gorgeous background art generated for this film is just mind-blowing.ħ) The Art Of Children Who Chase Lost VoicesĪrt book for Makoto Shinkai’s 2nd animated feature. Yet another Ghibli veteran, Yamamoto-san has also created background art for Madhouse’s hugely popular The Girl Who Leapt Through Time.Īrt director Kimura Shinji (Tekkon Kinkreet) flexes his artistic muscles in Otomo’s epic Steamboy. In 2007 his solo Background Art Exhibition was held at the MOT and was exceptionally well received.Ĥ) Of Light & Darkness : Ogura Hiromasa Background Art Bookĭark and moody background plates are Ogura’s forte, as seen in his work for Mamoru Oshii’s films like Ghost In The Shell and Innocence, and Hiroyuki Okiura’s Jin-roh – The Wolf Brigade. Both are excellent.Ī veteran background artist with Ghibli, Oga-san has created countless pieces of mesmerizing art for many of the studio’s most iconic films. Note : Two art books were published for Tekkon – White (Shiro) features the background art, while Black (Kuro) covers image boards and concept art. The film is a dizzying display of art director Kimura Shinji’s astounding background art from start to finish, and is a must see for anyone remotely interested in anime, film or illustration. Michael Aria’s anime rendition of Taiyo Matsumoto’s manga of the same name. Read the full review with more pictures from the book here. ![]() Here’s a list of art books featuring the background art from various anime films that I highly recommend ( In the order of date reviewed oldest to latest ):Ī compilation of plates from Makoto-san’s earliest short films like Memories Of A Distant Start, The Place Promised In Our Early Days, and his first animated feature 5 Centimetres. A skillfully painted background plate can really accentuate the mood and atmosphere of any given scene, at the same time elevating the aesthetic quality of the film. More than just beautifully painted pictures of landscapes and skies, background art is an integral and crucial component of anime, setting the stage for the performance of all characters in the film. The latest addition is the Suzume – Makoto Shinkai Anime Background Art Book ( reviewed on June 2023 ). With additional composition elements and new techniques you will be able to create stunning landscapes in no time.This post was first published in Oct 2012 and is updated whenever I review a new background art book. ![]() The total amount of time I spent on this artwork is 2 hours and 35 minutes including modelling and multiple mid-progress reasonings. But even using my methods only, you can already draw such beautiful landscapes (and not only sunset/sunrise kind of scenes – change of the sun position and the time of day is probably one of the easiest things here). Especially now, if you were following my guide step by step with no pauses – take some rest and return to the artwork later, with clean mind and rested eyes.Īnd when you get used to the process and techniques used here, you can adapt them, change to your like, modify in a way they work better, bring better results and feel more comfortable to you. However, you can always return to it and change or add anything you want. Adding the noise is the last stage in my method of drawing anime-like landscapes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |